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George Bernard Shaw's Pygmalion is a witty social commentary disguised as a romantic comedy. The play centers on Professor Henry Higgins, a phonetics expert with a condescending and arrogant personality, who makes a bet that he can transform a Cockney flower girl, Eliza Doolittle, into a "lady" simply by teaching her to speak properly. His motivation is purely scientific – a demonstration of his linguistic prowess – not romantic.
Eliza, initially motivated by the promise of a better life and escaping her impoverished circumstances, reluctantly agrees to Higgins' rigorous training. Higgins subjects her to intense and often abrasive lessons, meticulously correcting her pronunciation and teaching her etiquette. Colonel Pickering, a fellow phonetics enthusiast, provides a more supportive presence in Eliza's training, acting as a counterpoint to Higgins' harsh methods.
Over the course of the play, Eliza's transformation is remarkable. She successfully passes as a duchess at an ambassador's party, fooling even the most discerning guests. This success, however, highlights the superficiality of class distinctions. Eliza's refined speech doesn't inherently change her character or social standing; it merely provides her with access to a different social sphere.
The play explores the complex relationship between Eliza and Higgins. While Higgins views Eliza as a project, a linguistic experiment, Eliza develops a strong sense of independence and self-awareness throughout the process. She recognizes her own intellectual growth and begins to assert herself, challenging Higgins' authority and demanding respect. Their relationship remains ambiguous, never fully transitioning into romance despite hints of affection and mutual dependence.
The play’s ending is famously open-ended. Eliza ultimately leaves Higgins, seeking autonomy and independence, suggesting her transformation extends beyond merely mastering the art of speech. She develops self-confidence and agency, refusing to be defined solely by her relationship with Higgins or her social class.
Pygmalion critiques the rigid class structure of Edwardian England, exposing the artificiality of social barriers and the superficiality of judgments based on accent and appearance. It examines themes of social mobility, personal transformation, gender roles, and the power dynamics inherent in education and mentorship. The play's enduring appeal lies in its sharp wit, memorable characters, and its exploration of universal themes that remain relevant today. It questions the very nature of identity and the possibility of genuine transformation, both social and personal.
Book Details at a Glance

Title
Pygmalion
Author
George Bernard Shaw
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